Bringing Art and People Together • PhilSTAR Life

My City, My SM, My Art is the latest edition in the My City, My SM series, which celebrates the beauty, culture, traditions and great people in cities around the Philippines where SM has malls.

This comes after My City, My SM, which promotes tourism; My City, My SM, My Cuisine, which highlights heirloom recipes from prominent families in the different regions; and My City, My SM, My Crafts, which showcases traditional arts and modern Philippine design.

My City, My SM, My Art celebrates Philippine visual arts – painting, sculpture, printmaking, photography and filmmaking. It aims to bring people and art together in a roadshow featuring the works of masters, modernists and millennials around the SM Supermalls.

Our cultural journey began on March 2016 at SM Seaside City in Cebu with an exhibit featuring artists from the Queen City of the South, including maestro Romulo Galicano; and concluded on March 2019 at SM City Cebu with the masterpieces of Manuel Rodriguez, Sr., the Father of Philippine Printmaking leading the way.

Family members have also been vital in preserving the artistic legacies of their loved ones. The family of Manuel Rodriguez Sr., the Father of Philippine Printmaking, flew all the way from the US and the Bahamas to join us in the tribute to their father at SM City Cebu.

In between, our search for art and artists brought us as far north as the Baguio and the Cordilleras and as far south as General Santos in Mindanao.

During those three years, we advocated art for all by working closely with communities, schools, and the public to mount exhibits, workshops, and contests in key cities around the Philippines.

These were featured in The Philippine STAR, our project partner, as well as in local media, and a cultural series in regional cable channels.

To make all these possible, we collaborated with the National Commission for Culture and the Arts, the Metropolitan Museum of Manila, and the Shell Companies of the Philippines; as well as The Philippine STAR, Center Stage Productions, and Finale Art File.

Along the way, we were able to have a glimpse of what makes Philippine art unique, and how close family ties, ingenuity and a sense of community have played key roles in its development.

We have seen how Filipino art has flourished through families like the Abellanas of Cebu; as well as those of masters Mauro Malang Santos, Jose Pitok Blanco, and Eduardo Castrillo, whose children — and, in some cases, grandchildren —now represent a new generation visual artists.

: ...and the La Consolacion College in Bacolod has been key in creating a new generation of local artists.

There are also wonderful examples of how art ties fathers and sons together: National Artist Abdulmari Imao and Toym, National Living Treasure Eduardo Mutuc and Eduardo, Jr., Ricarte Puruganan and Victor, Manuel Baldemor and Monnar, Romulo Olazo and Jonathan.

Family members have also played significant roles in preserving the artistic legacies of their loved ones: Josie Baldovino for her brother, National Artist Jose Joya, Daisy Tolentino-Mendez for her father, National Artist Guillermo Tolentino, and Totong Francisco II for his grandfather, National Artist Carlos Botong Francisco.

Families have played a big role in the growth of art in the Philippines. While it is said that master artist Jose “Pitok” Blanco never forced his seven children — Glen, Noel, Michael, Joy, Jan, Gay, and Peter Paul — to be involved in the arts, they are all practicing artists whose canvases represent Philippine culture and tradition in their realistic style. As they say, the family that paints together, stays together.

We were both honored and touched when the family of Manuel Rodriguez, Sr. flew all the way from the US and the Bahamas to join us in the tribute to their father at SM City Cebu.

We were also amazed at how Filipino artists created groundbreaking works from non-traditional materials. With art supplies either too costly or simply unavailable, Baguio’s Jordan Mang-osan and Patric Palasi found their niche in solar and coffee art, respectively; while Palawan’s Elordie Mesac crafted his pieces from rubber slippers. When his materials were washed away by super-typhoon Yolanda, Tacloban-born Dante Enage began using tuba, a local wine made from coconut juice, as his medium.

The rise of regional Fine Arts schools like the Philippine High School for the Arts in Laguna, the University of Mindanao, the University of Rizal System, La Consolacion College in Bacolod, Ateneo de Naga, and the Adventist University of the Philippines in Cavite, have likewise been vital to the growth of the arts around the country.

Creative spaces like the Pinto Art Gallery in Rizal have brought artists together, and have given the public more accessibility — and a greater appreciation — for Philippine Art.

We also saw how art thrived when artists got together in collectives like the Tam-Awan Village in Baguio, the Artist’s Village in Baler, and Pinto Art Museum in Rizal.

Filipino artists are not only so talented, but oh-so-innovative. Whenever art materials were too costly or simply not available, they would create groundbreaking works from non-traditional materials. Baguio artists Jordan Mang-osan and Patric Palasi, for example, found their niche in solar and coffee art, respectively.

Now, after three years, more than 30 stops, hundreds of artworks, and a myriad of memorable experiences, we have compiled our exciting cultural journey in a book.

Join us as we unravel the exquisite tapestry of Philippine art through the lives and works of some of the country’s most fascinating visual artists.

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